With either looping mode engaged, a grey vertical segment between two breakpoints is designated as the looping section; simply drag either edge line in either direction and it will snap to the next breakpoint. Feature Highlights: Granulate Quanta is a full-featured ten-voice true stereo granular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Audio Damage Quanta comes packed with a host of built-in samples, however it also allows you to drag-and-drop your own samples to create unique textures. Because you can import your own samples, the possibilities are limitless. Better still, even without being audible on their own and left entirely unaccompanied by audio content, both oscillators can be fed through the granular engine to rapidly synthesize otherworldly tones and textures without any sample loaded into Quanta at all. The Noise oscillator features a simple Color dial along with Level control. Each segment can be set between 0ms and 10s in length, although the envelope graphic can be very misleading, as the time scale used by the display is non-linear - you have to mouse over a breakpoint to see the duration of the segment preceding it.
If grain location is randomised in any way, the dot spreads horizontally into an oval shape to show the range over which sample data will be read. So where does Quanta fit in? I would probably be lost without them. Increasing the number of grains and their length has the most dramatic effect, as does bringing in several random options. Used discretely, the analogue oscillator is just the thing for adding a solidifying sub tone, harmonic texture or smoothing layer to the grain stream. There is no standalone version, so you will need a host application.
The great part is that if you have tweaked and crafted a great sound in Quanta but would like to try all the same parameters with another sample, you can! Can be injected directly into grain engine. . While Wavetable dynamically filters its matrix rows to just show those in use, Quanta shows all rows, whether active or not, so you often have to do quite a bit of scrolling back and forth between values you want to edit. If the patch already contains modulation assignments, an animated blue dot will sweep back and forth for each voice played, in addition to a blue vertical line that indicates the starting position of the oscillator Granulator more later. These comically powerful envelope generators are essentially sequencers in their own right, and Quanta has four of them.
Audio Damage Quanta is a revolutionary new granular synthesizer! Add this to the pile…. The resulting highly-stylized waveform is easy on the eyes, while the blue vertical line intersecting it can be dragged forward or backward to determine the playback anchor — corresponding to and simultaneously controlled by the Position dial in the Grains section. This will help you get up and running more quickly and with the knowledge you need to get the most out of this powerful synthesizer. The theory behind Granular Synthesis is that a complex sound can comprise minute particles of sound, or grains. Better still are those presets, programmed by Chris Carter, Joseph Fraioli, Marcus Fisher and MusicTech interviewee and sound designer extraordinaire Richard Devine. Working these, the range of waveforms that can be defined is pretty much limitless.
Taken on their own without any sample layering or granular synthesis, Quanta functions as a solid synthesizer. Length, measured in milliseconds from 1 to 1000, determines the duration and resulting cohesion of grain playback: shorter times result in audibly serrated textures, while higher values deliver smoother continuous tones. You will also have access to exclusive Patreon only content and videos. The granular output feeds into a pair of resonant filters, each of which is multimode and can be two- or four-pole; the filters can be combined in parallel or series. Annoyingly, leaving the browser page resets it to its default state, with all banks unopened. To the uninitiated, the world of synthesis can be a very confusing landscape. When triggered, horizontally scanning dots represent each of the up to ten Voices being played.
An unlimited number of breakpoints is supported, the segments can be curved, and an arbitrary portion of the envelope between two breakpoints can be looped in a single or bidirectional manner. The concept of chopping audio samples into very short component grains for the purpose of time stretching and atmospheric manipulation has existed for decades. You might think that smashing up a sound into a gazillion grains will result in some kind of buzzing nonsense, but there is everything here from dreamy pads, to rhythmic textures, lush strings to indescribable atmosphere. Forward plays the grains in the direction you would expect, while Reverse plays them backwards; Play Dir determines the perceived direction of grain playback in relation to the waveform and plays it accordingly while -Play Dir inverts this behavior; Random mode selects a mode from the other four options for each grain by chance. Web: Learn more about granular synthesis:. The controls here are very intuitive and you can easily see how every possible function is contributing to the finished product. Mp3 Quanta Granular Synth By Audio Damage First Look Songs Free Download? Since a very young age, Dash had a very obvious fascination with all things Sound and Music.
Threshing Grains The crucial engine driving Quanta is, of course, the Grains section. There are knobs for the number of grains created per second, the grain length in milliseconds, pitch tuning, sample position, volume level and stereo width. Clicking and dragging in the grid will set up positive or negative modulation, depending on the direction of the mouse. Iannis Xenakis was probably the first to find musical purpose in the reordering of minute slices of sound by cutting and splicing prerecorded tape. A click on the preset name at the top of the Quanta window brings up the pane associated with preset management. The built-in dual multi-mode resonant filters bolster the granular engine with key subtractive synthesis elements, bringing together the best of both worlds.
Mp3 Download Quanta Granular Synth By Audio Damage First Look Youtube. With the Length knob, the size of the grains is variable between 1 millisecond and a full second. Their devices range from quirky a neuron-inspired percussion synth, a rotary beat-slicer, a step-sequenced multi-effects unit to indispensable a variety of elegant and nicely designed reverbs, choruses, filters and flangers. On the positive side, a click anywhere in the window toggles the last of the four pages you were accessing. Each of these, as well as the volume and grain playback direction controls, has an associated Random knob, used to vary that parameter for every generated grain within the dialled-in range. If you would like to buy Loops please visit Loopmasters here via my link If you would like to make a donation to help support me and Jo you can use this easy link below. This audio is broken down into grains which you then simply manipulate in various ways to synthesise.